The heartwarming sequel to the best-selling The Old Man and the Boy is a moving, nostalgic tale that will transport the reader back to a time when going fishing was not about fish, but the stories told afterward.
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This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by co[...]