Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andr Gaudreault and Philippe Marion take a positive look at cinema's ongoing digita[...]
Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. Andre Gaudreault argues that Edison and the Lumieres did not invent cinema; they invented a device. Explaining [...]
With this lucid translation of Du litteraire au filmique, Andre Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, Fro[...]