The first retrospective in the U.S. to feature German artist Blinky Palermo (1943-1977) includes more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo's brief but significant career and explores each phase, b[...]
Painting is a continually expanding and evolving form of creative expression whose ongoing relevance is here convincingly asserted by renowned critic and art historian Suzanne Hudson. Her book offers an original survey of contemporary work a critical snapshot that brings together more than 200 artis[...]
THINKING AND WRITING IN THE HUMANITIES guides students through the process of planning, drafting, revising, and editing analytical and argument essays and research papers in the humanities. Writing in the humanities demands not only the basics of college-level composition but also instruction in the[...]
WRITING ABOUT THEATRE AND DRAMA covers everything from matters of style to forms of essays used in writing about theater. Beginning with a discussion of the theatrical review, the text covers the forms of essays used in writing about theatre, research, matters of style, structure, and vocabulary.[...]
At the heart of Christopher Wool's creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today. Engaging the complexities of painting as a medium, as well as the anxious rhythms of the urban environment and[...]
An engaging account of today's contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world. Features a collection of all-new es[...]
In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over [...]