If you know sentences, you know everything. Good sentences promise nothing less than lessons and practice in the organization of the world. Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. "The New York Times" columnist and world-class professor has lo[...]

Through his columns in the New York Times and his numerous best-selling books, Stanley Fish has established himself as our foremost public analyst of the fraught intersection of academia and politics. Here Fish for the first time turns his full attention to one of the core concepts of the contempora[...]

Stanley Fish is an equal opportunity antagonist. A theorist who has taken on theorists, an academician who has riled the academy, a legal scholar and political pundit who has ruffled feathers, left and right, Fish here turns with customary gusto to the trouble with principle. Specifically, Fish has [...]

Since its publication in Japan ten years ago, the "Origins of Modern Japanese Literature" has become a landmark book, playing a pivotal role in defining discussions of modernity in that country. Against a history of relative inattention on the part of Western translators to modern Asian critical the[...]

In this intellectual history of British cultural Marxism, Dennis Dworkin explores one of the most influential bodies of contemporary thought. Tracing its development from beginnings in postwar Britain, through its various transformations in the 1960s and 1970s, to the emergence of British cultural s[...]

Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and im[...]