Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. T[...]
"Imagine an eye unruled by man-made laws of perspective ... an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'" So begins[...]
In this volume, editor Suranjan Ganguly collects eight of Stan Brakhage's most important interviews in which the filmmaker describes his conceptual frameworks, his theoriesof vision and sound, the importance of poetry, music, and the visual arts in relation to his work, his concept of the muse, and [...]
Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and the Roman Numeral Series, Brakhage is widely r[...]
Filmmaker Stan Brakhage has long been known as a giant of experimental cinema, but this collection shows him in a completely new light as a writer. Throughout the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly with reports from the Telluride Film Festival. These [...]