It is a common article of faith that Mozart composed the most beautiful music we can know. But few of us ask why. Why does the beautiful in Mozart stand apart, as though untouched by human hands? At the same time, why does it inspire intimacy rather than distant admiration, love rather than awe? And[...]
Bringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, "Beethoven Hero" explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of criti[...]
In October 2001, paint was spilled on the streets of Montreal. A stark, primitive bike symbol, looking suspiciously like the one the city used to designate a bike path; a giant zipper, pulled open down the centre line of the street on a busy commuter route; the footprint of a giant, stomping through[...]