Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: "Pather Panchali (Song of the Little Road) (1955)," "Aparajito (The Unvanquished) (1956)," and "Apur Sa[...]
This record of Cartier-Bresson's fascination with India over half a lifetime contains the very best of his photographs of that country, produced during six extended visits, the first at the time of Independence, the most recent in 1987. His images are shaped by an eye and a mind legendary for their [...]
Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contr[...]
Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contr[...]
Satyajit Ray is India?s greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper?s study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing a[...]
Satyajit Ray's films include the "Apu" trilogy, "The Music Room", "Charulata", "Days and Nights in the Forest", "The Chess Players" and "The Stranger". He also made comedies, musicals, detective films and documentaries. Beginning with the classic "Pather Panchali" in 1955, Ray was an exceptionally v[...]