All of O'Neill's themes and concerns find expression in his one-act plays. They are the dramatic equivalent of short stories. Here gathered in a single volume are nine one-act plays that span the playwright's career--from the early sea plays to the Expressionist masterpiece "The Hairy Ape" to the ee[...]
The founder and director of the Yale Repertory Theater, as well as Harvard's American Repertory Theater, and a drama critic for more than thirty years, Robert Brustein is a living legend in theatrical circles. Letters to a Young Actor not only inspires the multitudes of struggling dramatists out pou[...]
By the time of her death thirty years ago, at the tragically young age of thirty-four, Lorraine Hansberry had created two electrifying masterpieces of the American theater. With A Raisin in the Sun, Hansberry gave this country its most movingly authentic portrayal of black family life in the inner c[...]
By far Strindberg's most aggressive work, The Father is a feverish nightmare of the struggle he saw between defiant masculinity and the "treacherous weakness" of woman. Mr. Brustein's adaptation takes account of modern feminist sensibilities without diminishing the play's relentless power and furiou[...]
In a new edition of this now-classic work, Robert Brustein argues that the roots of the modern theatre may be found in the soil of rebellion cultivated by eight outstanding playwrights: Ibsen, Strindberg, Chekhov, Shaw, Brecht, Pirandello, O'Neill, and Genet. Focusing on each of them in turn, Mr. Br[...]
The only play in which Ibsen denies the validity of revolt, The Wild Duck suggests that under certain conditions, domestic falsehoods are entirely necessary to survival. Plays for Performance Series.[...]