Jimmie Durham is an internationally acclaimed artist, writer and poet of Cherokee descent. His intricate sculptures and installations mimic the attributes of humans and animals, and the ways they make or are made into history. Durham collages discarded objects and fragments of organic matter, transf[...]
Feminist theory, history, new phenomena, feminist filmmaking.
Writer and filmmaker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary feminist cultural theorists. Part of the 1970s generation of British film theorists and independent filmmakers, she came to prominence with her classic work on the pleasures, and displeasure[...]
A considerable amount of feminist thinking today works across borders in ways that unsettle familiar philosophical and political frameworks. It cuts across the borders of traditional disciplinary configurations, borrowing, incorporating, and transforming the methodological approaches as well as the [...]
The essays collected in Godard's Contempt construct a framework for a renewed set of questions and analyses of Godard's great modern classic. Drawing on work by young scholars from the London Consortium, the essays benefit from their wide range of disciplinary and cultural backgrounds.[...]
Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of British film theorists and independent film-makers, she [...]
'Death 24 x a Second' addresses key questions of film theory, semiotics, spectatorship and narrative brought about by new methods of viewing film, and the breakdown of linear narrative structure.[...]
In a time of rapid technological progress and development, everything changes quite fast. These changes can be seen in every field of life. For instance, the way of supplying basic needs or the way how to make own life better, but also certain norms and values are quite different today. Instead of v[...]
Since it first appeared in "Screen" in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positi[...]