This title situates Carmilla within its Irish Cultural milieu and treats the text as self-standing rather than as a precursor to Dracula. Unlike other collections of Gothic literature, Costello-Sullivan's work focuses solely on Carmilla.[...]

'the ideal reading...for the hours after midnight' Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as 'The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His w[...]

Nothing remained to assure us that the adventure had not been an illusion of a moment but the young lady, who just at that moment opened her eyes.[...]

I thought I saw a human face, about the most terrible my fancy could have called up, looking fixedly into the room. The face gazed towards the bed, and in the imperfect light looked like a livid mask, with chalky eyes'. Master of the ghost story genre M.R. James commented that the, 'final terrific m[...]

The world's greatest ghost stories emanate from the British Isles - the superb, donnish tales of M.R. James and those of the wilder and more exotic Celtic imaginations of such writers as Sheridan Le Fanu and Bram Stoker - and they are brought together in this handsome boxed set. It includes Charles [...]

Best known for his Gothic masterpiece Uncle Silas and the vampire story Carmilla, Joseph Sheridan Le Fanu was a prolific writer whose extensive body of work included historical, sensation and horror novels, poems and ballads, numerous stories of the supernatural, journalism and a verse-drama. While [...]