This penetrating study of the Iranian filmmaker Abbas Kiarostami's life and work engages a cross-cultural dialogue between Mehrnaz Saeed-Vafa, an Iranian filmmaker, and Jonathan Rosenbaum, a film critic, both of whom have an intense interest in Kiarostami's work. A pioneer in Iranian cinema and cons[...]
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive a[...]
"Moving Places" is the brilliant account of a life steeped in and shaped by the movies - part autobiography, part film analysis, and part social history. Jonathan Rosenbaum, one of America's most gifted film critics, began his moviegoing in the 1950s in small-town Alabama, where his family owned and[...]
Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles' career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the we[...]
In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by ma[...]
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than everâwe just canât see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every[...]
An anthology, this book's title poem, "Wild Geese", opened "Staying Alive".