Alongside William Eggleston, Stephen Shore, Joel Sternfeld and Mitch Epstein, New York-born and bred Joel Meyerowitz is one of the most important representatives of the New Color Photography movement of the 1960s and 70s. This retrospective traces his entire oeuvre, from his street photography to hi[...]
With over 650 pages and featuring nearly 600 images, Taking My Time provides an unprecedented overview and insight into the mind and work of the iconic American photographer Joel Meyerowitz. Beautifully sequenced and edited with Meyerowitz himself, and including his own personal accounts, this exten[...]
An accessible monograph on the work of American photographer Joel Meyerowitz (b.1938), who began his career in the 1960s taking spontaneous pictures on the streets of New York in the tradition of Henri Cartier-Bresson and Garry Winogrand. He is perhaps best known for his pioneering colour photograph[...]
An introduction to the major themes and the key images of American photographer Joel Meyerowitz, illustrated with 55 chronologically presented images that offer a fresh insight into his career.[...]
- First trade book covering the whole career of leading photographer Joel Meyerowitz
- Ties in with major retrospective in Berlin, which will then travel to America[...]
Alongside Stephen Shore and William Eggleston, Joel Meyerowitz (born 1938) counts as one of the most significant representatives of the American New Color Photography from the 1960 and 70s. His classic street photographs made in New York, his examinations of Cape Cod and his Aftermath series have be[...]
In 1966 and 1967, color-photography pioneer Joel Meyerowitz (born 1938) travelled across Spain taking hundreds of pictures that together comprise a remarkable document of 1960s Spain. At this time he was taking photographs both in color and black and white, but this period in Spain marked a creative[...]
In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi's Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that[...]
Cezanne painted his studio walls a dark grey. He mixed the color and painted it himself. Every object in the studio, which was illuminated by a vast north window, seemed to be absorbed into the grey of the background. There were no telltale reflections around the edges of the objects. So there wa[...]