Inspired by the same society that gave rise to Christopher Isherwood's 'Berlin' stories and novels, the drawings in 'George Grosz: The Big No' present a caustic, comic view of Germany in the troubled years of the Weimar Republic. Ranging from primitive and graffiti-like drawings to complex Futurist [...]
This acclaimed autobiography by one of the twentieth century's greatest satirical artists is as much a graphic portrait of Germany in chaos after the Treaty of Versailles as it is a memoir of a remarkable artist's development. Grosz's account of a world gone mad is as acute and provocative as the ar[...]