This new critical study of Ibsen?s A Doll?s House addresses fundamental questions of text, reception and performance. What is the definitive ?version? of A Doll?s House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended[...]
Although television drama has existed for more than half a century and is now, in terms of audience participation, the dominant form of theatre, "there is as yet hardly any serious criticism of drama on television." Martin Esslin's statement ten years ago still holds true. Seeing it as a challenge, [...]
reader/spectator reception|target text|stage performance|stage direction|scenography|source text