Theodor W. Adorno's classic study of Gustav Mahler's music defies traditional thematic analysis, which, according to Adorno, "misses the music's substance in its preoccupation with procedure." He reaches beyond the boundaries of conventional analysis for an understanding of the music through the com[...]
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. In this book, Hans Belting traces the long history of the sacral image and its changing role in European culture. It looks at the beliefs, sup[...]