In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, an[...]
In 1932, Marcel Duchamp published "Opposition and Sister Squares Are Reconciled," a collaboration with chess champion Vitaly Halberstadt on endgames in chess. Ernst Strouhal's illustrated study approaches this volume as an "almost utopian treatise on chess endgames" and as a trilingual artist's book[...]
In the twenties, Surrealists proclaimed that words had stopped playing around and had begun to make love. Nowhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the more joyous and ingenious couplings and uncouplings in modern art. This collection beings togethe[...]
"Duchamp and/or/in China" investigates the impact of Duchamp on contemporary Chinese art. It includes a pull-out section of his best-known works. Among the artists included here are Ai Weiwei, Cai Yuan + Xi Jian Jun, Huang Yong Ping, Zhao Zhao and Zheng Guogu.[...]
Sex radiointervjuer med Marcel Duchamp från 1960-61 om konsten, konstnärererna, historien, språket, readymades, dadaismen, surrealismen och konstmarknaden. Intervjuare: Georges Charbonnier, initierad kulturjournalist som bidrar med sina erfarenheter till ett spirituellt samtal.[...]
A study of frequently mis-read artist, Duchamp, translated by John Brogden.
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no[...]
One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted [...]
This groundbreaking and richly illustrated book tells a new story of the twentieth century's most influential artist, recounted not so much through his artwork as through his "non-art" work. Marcel Duchamp is largely understood in critical and popular discourse in terms of the objects he produced, w[...]
Marcel Duchamp was a famous expatriate, a wanderer, living and working in Paris, New York, and Buenos Aires and escaping from each in turn. But exile, argues T. J. Demos in this innovative reading, is more than a fact in Duchamp's biography. Exile--in the artist's own words, a "spirit of expatriatio[...]
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a sh[...]
One hundred years after his birth, Marcel Duchamp remains an enigma; no other artist, perhaps, has produced so varied a group of masterpieces in so short a span of time. These eleven illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that[...]
Out of print for a number of years, this facsimile of Marcel Duchamp's "Manual of Instructions" was prepared by the artist for the disassembly of Etant donnes in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had f[...]
Marcel Duchamp, one of this centurys pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of[...]
Genius, anti-artist, charlatan, guru, imposter? Since 1914 Marcel Duchamp has been called all these. Arousing passion and controversy, he has exerted a great influence on art, whose very nature he challenged and redefined as concept rather than product by questioning its traditionally privileged opt[...]
Marcel Duchamp (1887-1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist's life and work in a thoroughly new and engaging m[...]
A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his ?readymades?, (the standard terms used to describe D[...]
Between 1915 and 1923, Marcel Duchamp created one of the most mystifying art works of the early twentieth century: The Bride Stripped Bare by Her Bachelors, Even (also known as the Large Glass). The work is over nine feet tall, and on its glass surface Duchamp used such unorthodox materials as lead [...]
In 1910 New York's art scene was dull and stuck in the past - lagging considerably behind Europe. Before the century reached its midpoint, however, New York would come to dominate the art world. It seemed that in a blink of an eye New York City tranformed from provincial backwater to vibrant epicent[...]