"We didn't think of our movies as underground or commercial or art or porn; they were a little of all of those, but ultimately they were just 'our kind of movie.'"--Andy Warhol Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known [...]
"We didn't think of our movies as underground or commercial or art or porn; they were a little of all of those, but ultimately they were just 'our kind of movie.'"--Andy WarholAndy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as[...]
On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the n[...]
In Melancholia and Moralism, Douglas Crimp confronts the conservative gay politics that replaced the radical AIDS activism of the late 1980s and early 1990s. He shows that the cumulative losses from AIDS, including the waning of militant response, have resulted in melancholia as Freud defined it: ga[...]
The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness -- mine and others' -- that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a len[...]