When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available [...]
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions - Olympic Sculpture Park, Seattle, USA; Raketensta[...]
Brian O'Doherty (b.1928) is a complex figure who renounced his name, adopting that of Patrick Ireland, in reaction to the Bloody Sunday killings in Northern Ireland (1972). Seeking to explain for the first time the full scope and complexity of O'Doherty/Ireland's vision, this groundbreaking study as[...]
Analyse af det modernistiske gallerirum og den måde hvorpå den moderne installationskunst forholder sig til rummet.[...]
This long-awaited volume brings together much of Brian O'Doherty's most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic Inside the White Cube. New pieces specifically authored for this collection in[...]
This long-awaited volume brings together much of Brian O'Doherty's most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic Inside the White Cube. New pieces specifically authored for this collection in[...]
In Studio and Cube: On The Relationship Between Where Art is Made and Where Art is Displayed, Brian O Doherty picks up on the argument he advanced in his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. In this groundbreak essays he d[...]