The basic principles of progression and the means by which tonality is established in Bartok's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartok's evolution is founded upon an all-encompassing system of pitch relation[...]
This long-awaited, authoritative account of Bartok's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bela Bartok, composition oft[...]
Bartok's music is greatly prized by concertgoers, yet we know little about the intellectual milieu that gave rise to his artistry. Bartok is often seen as a lonely genius emerging from a gray background of an 'underdeveloped country.' Now Judit Frigyesi offers a broader perspective on Bartok's art b[...]
This biography covers the full range of Bela Bartok's (1881-1945) work from his early explorations of the folklore of Hungary to his Third Piano Concerto composed on his deathbed in the United States. Illustrated throughout with contemporary photographs of people and events, the book brings a reclus[...]
A newly engraved edition of the first twenty-one pieces in Bartok's collection of forty-two early-intermediate to intermediate-level piano solos. Both volumes include great contemporary recital selections. Composed between 1908 and 1909, the pieces are based on Hungarian and Slovakian folk tunes.[...]
This compilation of essays, lectures, and scholarly papers from 1953 to the present includes insights obtained by the author over a half-century career as a Bartok specialist. Divided into three parts, chapters examine Bartok as a multifaceted music figure: composer, folklorist, pianist, and teacher[...]
One of the most popular orchestral works of the 20th century, this orchestral showpiece was written by Bartok to a commission from Serge Koussevitzky and the Boston Symphony Orchestra in 1943.[...]
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartok's compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartok research. The third edition of this research guide provides an[...]
(Boosey & Hawkes Scores/Books). Hardbound
(BH Piano). A newly researched and engraved edition with extensive performance notes and a composer biography complete with access to online video piano lessons with editor Immanuela Gruenberg addressing topics in Bartok's The First Term at the Piano .[...]
This text analyzes the major aspects of Bartok's music - his harmonies, melodies, forms and rhythms.