"Happenings" have pop connotations that conjure up 1960s youth culture and hippies in public, joyful rebellion. Scholars, meanwhile, locate happenings in a genealogy of avant-garde performance that descends from futurism, surrealism, and Dada through the action painting of the 1950s. In Radical Prot[...]
This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extens[...]
Allan Kaprow (19272006) described himself as an un-artist, one who refused to participate in the traditional forms of the art world. Instead, he championed a practice that blurred the boundaries between art and life, moving art outside the gallery and museum and insisting on active participation rat[...]
Allan Kaprow's 'happenings' and 'environments' were the precursors to contemporary performance art, and his essays are some of the most thoughtful, provocative, and influential of his generation. His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning it[...]
This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two ar[...]
Från 1960-talet och framåt har konstmuseernas funktionsseparering gått så långt att det är museer för modern, avant-gardisk konst som utgör den nya traditionen, den nya norm mot vilken den ännu nyare konsten fortsätter att opponera. Auktoriteten eller suveränen är i denna modell ett koll[...]