When Alfred Jarry died in 1907 at the age of thirty-four, he was a legendary figure in Paris--but this had more to do with his bohemian lifestyle and scandalous behavior than his literary achievements. A century later, Jarry is firmly established as one of the leading figures of the artistic avant-g[...]
Containing the texts of Alfred Jarry's three "Ubu" plays, this book also has biographical notes, an introduction by Simon Watson Taylor, and the text of Jarry's "Writings on the Theatre".[...]
A stunning, controversial work that immediately outraged audiences with its scatological references during the 1896 premiere, the farce satirizes the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent. Championed as the first absurdist drama, "Ubu Roi "fe[...]
Alfred Jarry is regarded as one of the founders of modern avant-garde theatre-- "Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurd--all owe a debt to Jarry." (Encore) This volume contains his three classic Ubu texts: Ubu Roi, Ubu Cocu and Ubu Enchaine. Through the lucid translations of C[...]
Drama. Translated from the German and French by Rob Melrose. This collection brings together new translations of three classic modernist plays: WOYZECK by Georg Buchner; PELLEAS AND MELISANDE by Maurice Maeterlinck; and UBU ROI by Alfred Jarry; with a foreword by Oskar Eustis of the Public Theater, [...]
Drama. Translated from the French by Rob Melrose. A new translation of the classic play. UBU ROI has divided audiences into passionate, dissenting camps since its 1896 premiere in Paris, an event that changed theater forever. With the first word of the play the audience erupted in pandemonium. Peopl[...]
The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, [...]
Provoking riots at its opening in 1896, Ubu is acclaimed as the touchstone for the Dada and Surrealist movements, the Theatre of the Absurd, and much of the rest of experimental theatre in the 20th century.[...]
Alfred Jarry's creation of the monster-tyrant Ubu was a watershed in theatre history: his play Ubu Roi (whose origins lie in his mercilessly ridiculed former schoolmaster) on the Paris stage in December 1896 brought him instant notoriety. This legendary event is set at the heart of Alfred Jarry, ba[...]
Paradox and provocation were essential features of all of the work of Alfred Jarry (1873-1907). His non-conformist attitude, whether employed to subvert literary or artistic conventions or to scrutinize social and political issues, marked both his literary writing and his view of the world. Nowhere [...]
?Kärleksakten är en handling utan betydelse, eftersom man kan upprepa den i oändlighet.?
Med de orden inleder den excentriske gentlemannen André Marcueil Alfred Jarrys roman Övermannen. Cykling, alkohol och introduktionen av en mystisk indier är några av elementen i hans svindlande[...]
Om hur den menige soldaten Sengle (=Jarry) krånglar sig ut ur armén genom att spela sjuk.
Han mixtrar med febertermometern, sväljer stora doser koffein och använder alla upptänkliga trick. Han är desertör, i vid mening: misslyckas han med att desertera från armén tänker han deserte[...]