Human, All Too Human (1878) marks the point where Nietzsche abandons German romanticism for the French Enlightenment. At a moment of crisis in his life (no longer a friend of Richard Wagner, forced to leave academic life through ill health), he sets out his views in a scintillating and bewildering s[...]
The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Ubermensch) are forsaken, as wit, exuberance and dazzling insights predominate,[...]
This is one of the most accessible of Nietzsche's works. It was published in 1887, a year after Beyond Good and Evil, and he intended it to be a continuation of the investigation into the theme of morality. In the first work, Nietzsche attacked the notion of morality as nothing more than institution[...]
One of Nietzsche's earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher passionately expresses his faith in the human soul and explores the consolation that art can provide for life. He presents a laudatory portrayal of the German compose[...]
This astonishing series of aphorisms, put into the mouth of the Persian sage Zarathustra, or Zoroaster,contains the kernel of Nietzsche's thought. 'God is dead', he tells us. Christianity is decadent, leading mankind into a slave morality concerned not with this life, but with the next. Nietzsche em[...]
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