Rhetoric and the Familiar examines the rhetorical practice of Francis Bacon and John Donne in both their writing and public speaking. It explores how their rhetorical planning negotiates the need both to use and combat familiar ideas, images, and emotions, when engaging different audiences. The book[...]

In June of 1963, when Michael Peppiatt first met Francis Bacon, the former was a college boy at Cambridge, the latter already a famous painter, more than thirty years his senior. And yet, Peppiatt was welcomed into the volatile artist s world; Bacon, considered by many to be "mad, bad, and dangerous[...]

Francis Bacon - a leading figure in the history of science - never made a major discovery, provided a lasting explanation of any physical phenomena or revealed any hidden laws of nature. How then can he rank as he does alongside Newton? Bacon was the first major thinker to describe how science shoul[...]

Throughout his career, Francis Bacon (1909-1992) made many anti-religious and, more specifically, anti-Christian statements. Bacon was a militant atheist but his atheism was not a simple dismissal of religion and religious belief. He exploited the symbols of Christianity, especially the Crucifixion [...]

*When Three Studies for Figures at the Base of a Crucufixion was exhibited in 1945 Francis Bacon (1909 - 1992) instantly became the most controversial painter in the country. By the end of his life his status as one of the giants of modern art was established, as was his reputation for hard drinking[...]

This work elucidates the values and meanings that can be ascribed to Bacon's work, and discusses criticisms of Bacon by distinguished critics and philosophers.[...]