The Ramayana in Bengali Folk Paintings

A first among documented and studied works on the patas of Bengal, accompanied with vivid, colorful images Discusses the painting tradition of the depiction of the Ramayana in patacitra, its role in Bengal, and the history of the patas The result of a systematic and thorough research project, conduc [...]
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A first among documented and studied works on the patas of Bengal, accompanied with vivid, colorful images Discusses the painting tradition of the depiction of the Ramayana in patacitra, its role in Bengal, and the history of the patas The result of a systematic and thorough research project, conducted by a noted Sanskrit scholar The images presented in this book take us to the heart of India's rich folk traditions. The display of paintings accompanied by recited or sung commentary has been a part of that heritage since very early times, as attested by references and legends in Sanskrit sources, such as the Harsacarita, a 7th century work by Banabhatta. Known as 'patacitras' (or 'patas' for short), these illustrated narratives are painted on rectangular fabric, paper, or scrolls. They are a type of performed art that reaches out to audiences, mostly in India's rural provinces. They convey the artists' responses to legends and social themes from varied social and cultural bases. This book focuses on a particularly powerful set of such paintings from the Bengali-speaking region of eastern India, which depict events from the Ramayana in the form of scrolls that can be rolled out as the story unfurls. The vividly colorful images presented in this book occupy a special niche in the history of Indian art. They are remarkable because they are not only aesthetically beautiful, but also act as pictorial translations of a text that has been part of Indian culture for years, often used as their source of moral guidance. Especially astounding is that these 'patas' by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi 'First Poet' Valmiki. They leave out important parts, and import into the Rama saga episodes from local narrative caches. Following conventions of both art and storytelling, these portrayals constitute what is now recognized as a tradition of rural counter-Ramayanas, which express alternative alignments of ethical judgment.