Emily Jacir

This book focuses on this award-winning artist's relationship to Europe and the Mediterranean and explores how one relates to a particular place. Incorporating historic archival material, Jacir traces Europe through its history of colonialism and trade routes, reanimating it through performative ges [...]
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This book focuses on this award-winning artist's relationship to Europe and the Mediterranean and explores how one relates to a particular place. Incorporating historic archival material, Jacir traces Europe through its history of colonialism and trade routes, reanimating it through performative gestures. Her work offers uniquely personal revelations about Europe's culture of exile and surveillance, etymology and language, as well as the tension between figuration and abstraction in art. Jacir utilises conceptual tools that reveal the political limitations of society, creating scenarios that erode or question communal boundaries and borders. The book includes reproductions of Jacir's works such as Material for a Film (2004-ongoing), which won the Golden Lion at the Venice Biennale, as well as stazione (2009) and Lydda Airport (2009). It also includes original essay contributions from Jean Fisher, Lorenzo Fusi and Omar Kholeif, among others. Published in association with Whitechapel Gallery, London.