Gerhard Richter: 100 Pictures

Concerned with the relationship between painting and the technologically mediated image of photography, Gerhard Richter is recognized worldwide as one of the greatest living artists. With a brush that deftly and romantically captures abstract details and blurred newspaper images alike, he has transf [...]
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Concerned with the relationship between painting and the technologically mediated image of photography, Gerhard Richter is recognized worldwide as one of the greatest living artists. With a brush that deftly and romantically captures abstract details and blurred newspaper images alike, he has transformed our understanding of art in the age of photographic reproduction and mass-media imagery. "100 Pictures" is a faithful reprint of the intimate, cloth-bound book Richter created in 1996 as a nontraditional anthology of his oeuvre. Following a short introduction to his early work, which features pictures long kept in his studio, "100 Pictures" presents Richter's output from an intensive period of work between 1995-96. Though this period mainly saw the production of abstract works, it also begat a cycle of eight small-format paintings of an intimate, private nature, which portray his young wife Sabine as a Madonna-and-child. "100 Pictures" is an extraordinary document of contemporary art, finally back in print. "You must believe in what you do. You must be deeply committed in order to paint. Once you become obsessed your conviction becomes so deep that in the end you are able to believe that humanity can be transformed by painting. But once this passion abandons you, there is nothing left to do. At that point it is better to forget about it, for, deep down, painting is complete idiocy." —Gerhard Richter Edited by Hans Ulrich Obrist. Essays by Birgit Pelzer, Guy Tosatto. BACK IN PRINT