Titian

Joanna Woods-Marsden, Preface David Rosand, Introduction: The Old Man's Brush Materiality / Facture Jodi Cranston, Theorizing Materiality: Titian's Flaying of Marsyas; Daniela Bohde, Corporeality and Materiality: Light, Colour and the Body in Titian's San Salvatore Annunciation and Naples Danae; Mig [...]
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Joanna Woods-Marsden, Preface David Rosand, Introduction: The Old Man's Brush Materiality / Facture Jodi Cranston, Theorizing Materiality: Titian's Flaying of Marsyas; Daniela Bohde, Corporeality and Materiality: Light, Colour and the Body in Titian's San Salvatore Annunciation and Naples Danae; Miguel Falomir, Titian's Tityus; Paul Joannides, Titian's Repetitions Likeness Joanna Woods-Marsden, The Mistress as 'Virtuous': Titian's Portrait of Laura Dianti; Jaynie Anderson, Titian's Franciscan Friar in Melbourne: A Portrait of the Confessor to Aretino and Titian? Istoria Luba Freedman, The Vainly Imploring Goddess in Titian's Venus and Adonis; Patricia Meilman, Historical Tradition and Political Strategy: Titian's Battle Painting CODA Una Roman D'Elia, Titian's Mute Poetry; Mary Rogers, Man and Beast in Titian Plates Professor Joanna Woods-Marsden was educated at Trinity College, Dublin, the University of London, and Harvard University. An expert in Italian Renaissance art, she has recently specialized in portraiture.