Dance of the Jakaranda

"Dance of the Jakaranda is a rare gem: a new story, a new voice, a new way of seeing the world. This is what a brilliant novel looks like. Peter Kimani is a rare talent, an important new literary voice in Kenya, in Africa, and the world."
--Mat Johnson, author of Loving Day
"In this racially [...]
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"Dance of the Jakaranda is a rare gem: a new story, a new voice, a new way of seeing the world. This is what a brilliant novel looks like. Peter Kimani is a rare talent, an important new literary voice in Kenya, in Africa, and the world."
--Mat Johnson, author of Loving Day
"In this racially charged dance of power, the railroad into the interior of the country becomes a journey into the hearts of men and women. It is a dance of love and hate and mixed motives that drive human actions and alter the course of history. Kimani's writing has the clarity of analytic prose and the lyrical tenderness of poetry."
--Ngugi wa Thiong'o, author of Birth of a Dream Weaver
Set in the shadow of Kenya's independence from Great Britain, Dance of the Jakaranda reimagines the rise and fall of colonialism, and the special circumstances that brought black, brown, and white men together to lay the railroad that heralded the birth of the nation.
The novel traces the lives and loves of three men: preacher Richard Turnbull, the colonial administrator Ian McDonald, and Indian technician Babu Salim, whose lives intersect when they are implicated in the controversial birth of a child. Years later, when Babu's grandson, Rajan--who ekes out a living by singing Babu's epic tales of the railway's construction--accidentally kisses a mysterious stranger in a dark nightclub, the encounter provides the spark to illuminate the three men's shared, murky past.
Dance of the Jakaranda could well be a story of globalization--not just for its riveting multiracial, multicultural cast--but also due to its diverse literary allusions: from Chekhovian comedy to Kafkasque caricatures, or magical realism popularized by Gabriel Garcia Marquez. Yet, the novel is firmly anchored in the African storytelling tradition, its language a dreamy, exalted and earthy mix that creates new thresholds of identity, providing a fresh metaphor for race in contemporary Africa.