Three, Imperfect Number

The report that lands on Commissario Martusciello's desk is unlike any other. The lifeless body of the Neapolitan singer Jerry Vialdi, a.k.a. Gennaro Mangiavento, has been found at the Naples football stadium; another corpse, this time a Jane Doe, has been discovered in the Bentegodi Stadium in Vero [...]
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The report that lands on Commissario Martusciello's desk is unlike any other. The lifeless body of the Neapolitan singer Jerry Vialdi, a.k.a. Gennaro Mangiavento, has been found at the Naples football stadium; another corpse, this time a Jane Doe, has been discovered in the Bentegodi Stadium in Verona, hundreds of miles away. The bodies were left in a fetal position, there are no signs of physical violence, the method and the madness behind it appear to hide some unutterable secret. Conclusion: a daring challenge left by a psychopath for the police. who are stabbing in the dark with no idea where to begin. All except for superintendent Blanca Occhiuzzi: beautiful, blind from birth, forced by the dark that envelops her to perceive the world through only four senses, she feels the fear in people; she feels their guilt and their innocence. It is she who takes Martusciello by the hand, guiding him into the mind of a murderer with her sensual intuition. It is as if he were the blind one. Allusive, mysterious, rife with double-meanings, saturated with an exotic almost esoteric musicality, Patrizia Rinaldi's radically new way of writing recounts a captivating story.