People Only Die of Love in Movies

Combining a cineaste's encyclopedic knowledge of film with a child's sense of wonder, Jim Ridley wrote about movies in a way few others can.He reveled in the joy and mischief of cinema, dwelled on its beauty and violence, and navigated the full breadth of its mythology with clarity and enduring curi [...]
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Combining a cineaste's encyclopedic knowledge of film with a child's sense of wonder, Jim Ridley wrote about movies in a way few others can.He reveled in the joy and mischief of cinema, dwelled on its beauty and violence, and navigated the full breadth of its mythology with clarity and enduring curiosity that earned him the respect of critics around the country. At the time of his unexpected death in 2016, Ridley was editor-in-chief of the alt-weekly Nashville Scene, the paper where his incisive, wide-ranging film reviews won him a devoted readership beginning in 1989.People Only Die of Love in Movies takes its title from a line in the 1964 movie musical The Umbrellas of Cherbourg, the subject of one of Ridley's best-known pieces, included in this volume. In all, the anthology collects nearly one hundred of Ridley's film reviews, essays, and journalistic works, expertly organized by editor Steve Haruch into writing by film genre (e.g., Westerns, the Nouvelle Vague), cinematic theme (e.g., heroes, sexuality), and writing style (e.g., negative reviews, narrative journalism) to demonstrate Ridley's range.People Only Die of Love in Movies invites its readers to revisit favorite films, discover new loves, and immerse themselves in the unparalleled writing of a discerning and knowledgeable critic.