Listening to Reading

Listening to Reading presents two different kinds of writing about poetry—"critical analysis" and "performance"—both of which pay particular attention to sound, shape, and the relation of sound/shape to meaning. It offers a critical and performative presentation of experimental writing. Less con [...]
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Listening to Reading presents two different kinds of writing about poetry—"critical analysis" and "performance"—both of which pay particular attention to sound, shape, and the relation of sound/shape to meaning. It offers a critical and performative presentation of experimental writing. Less concerned with labels than with asking how this writing works, it invites us to read from earlier works by Mallarmé, Stein, and Cage to books published in the eighties and nineties by Mei-mei Berssenbrugge, David Bromige, Clark Coolidge, Beverly Dahlen, Michael Davidson, Larry Eigner, Robert Grenier, Lyn Hejinian, Paul Hoover, Susan Howe, Ron Padgett, Michael Palmer, and Leslie Scalapino—writers whose work is viewed as difficult, and who have as yet been largely ignored by criticism.