Territory

Just as legends and fragments of history from ancient Britain became the Arthurian tales we know--the story of Wyatt Earp, Doc Holliday, the Clantons and others, told and retold in innumerable stories and dramatizations, has became a great American myth. In Emma Bull's "Territory," some of the myste [...]
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Just as legends and fragments of history from ancient Britain became the Arthurian tales we know--the story of Wyatt Earp, Doc Holliday, the Clantons and others, told and retold in innumerable stories and dramatizations, has became a great American myth. In Emma Bull's "Territory," some of the mystery of that brooding, puzzling tale is accounted to the hitherto unrealized presence of magic. It is a story of power, of compulsion, and of consequences. If Roger Zelazny had written a western, or if Susanna Clarke had reimagined the myths and legends of the American West, the results might have been something like "Territory." But only something like. Because nobody writes like Emma Bull.