Film Music

In addition to the new material on the synthesizer mentioned above, the author has completely reviewed the four parts of the book and integrated new material where appropriate: History (an overview from the silent films to the present); Aesthetics (the artistic purposes film music serves and the for [...]
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In addition to the new material on the synthesizer mentioned above, the author has completely reviewed the four parts of the book and integrated new material where appropriate: History (an overview from the silent films to the present); Aesthetics (the artistic purposes film music serves and the forms it takes); Technique (how to synchronize music to picture and the special demands of television); and Contemporary Techniques and Tools (comprising video post-production, digital audio, and other innovations). A completely updated bibliography rounds out this informative study.