Ottoman Intimacies, Balkan Musical Realities. Edited by Risto Pekka Pennanen, Panagiotis C.

Articles: Cem Behar, Text and Memory in Ottoman/Turkish Musical Tradition; Darin Stephanov, Solemn Songs for the Sultan: Cultural Integration throug Music in Late Ottoman Empire, 1840-1860s; Risto Pekka Pennanen, Between Sultan and Emperor: Politics and Ottoman Music in Habsburg Bosnia-Herzegovina, [...]
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Articles: Cem Behar, Text and Memory in Ottoman/Turkish Musical Tradition; Darin Stephanov, Solemn Songs for the Sultan: Cultural Integration throug Music in Late Ottoman Empire, 1840-1860s; Risto Pekka Pennanen, Between Sultan and Emperor: Politics and Ottoman Music in Habsburg Bosnia-Herzegovina, 1878-1918; Panagiotis C. Poulos, The Non-Muslim Musicians of Istanbul: Between Recorded and Intimate Memory; Tatjana Markovic, The Ottoman Past in the Romantic Opera's Present: The Ottoman Other in Serbian, Croatian and Montenegrin Opera; Nevena Dakovic & Marija Ciric, The Balkan Wreath: Multicultural Balkan Identity in Film Music; Carol Silverman, Negotiating The "Oriental": Roma and the Political Economy of Representation in Bulgarian Popfolk; Vesa Kurkela, ChalgaTube: Bulgarian Chalga on the Internet; Aspasia Theodosiou, ?Fantasia Repertoire?: Alaturka, Arabesk and Gypsy Musicians in Epirus, Greece; Derek B. Scott, Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest.