The Performance of Christian and Pagan Storyworlds: Non-Canonical Chapters of the History of Nordic Medieval Literature

The present collection explores a hitherto understudied body of Nordic medieval literature which, although overlooked in traditional, language-based narratives, was in fact crucial in shaping social and religious identities. By drawing on the 'performance turn' in cultural studies, the volume identi [...]
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The present collection explores a hitherto understudied body of Nordic medieval literature which, although overlooked in traditional, language-based narratives, was in fact crucial in shaping social and religious identities. By drawing on the 'performance turn' in cultural studies, the volume identifies a number of minor and peripheral literary forms and texts that had a vital connection to ritual and ritualized speech. These neglected traditions therefore offer an alternative insight into Nordic literary life and the sets of cultural expression, or storyworlds, underlying Nordic culture. The collected studies explore different aspects of verbal performances as a primary vehicle for the Nordic storyworlds, with a preference for the Christian over the pagan traditions. Emphasis is placed on Latin, Old Norse, and Finnish traditions that were retold and reproduced over time. These 'living' literary forms highlight the importance of non-canonical texts for the interpretation of contact between the peripheries and centres of Nordic culture. Through the focus on the interaction between Latin and the vernacular, between eastern Baltic and western Latin influences, and between ritual and speech in religious practice, this collection demonstrates the importance of 'minor' texts for the re-construction of medieval Nordic culture and history.