Smire

"[Cabell's] most substantial post-Biography fantasy was "The Nightmare Has Triplets," a sequence comprising Smirt: An Urban Nightmare, Smith: A Sylvan Interlude, and Smire: An Acceptance in the Third Person. This explicitly emulates the logic and geography of dreams . . . successfully mistly and dre [...]
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"[Cabell's] most substantial post-Biography fantasy was "The Nightmare Has Triplets," a sequence comprising Smirt: An Urban Nightmare, Smith: A Sylvan Interlude, and Smire: An Acceptance in the Third Person. This explicitly emulates the logic and geography of dreams . . . successfully mistly and dreamlike . . ." --The Encyclopedia of Fantasy