Thinking Horror: A Journal of Horror Philosophy Volume 2: The Horror Boom

The second volume of THINKING HORROR: A JOURNAL OF HORROR PHILOSOPHY focuses loosely on the horror boom of the second half of the Twentieth Century and contains the following: THNKHRRR Interview: Steve Rasnic Tem, "The Word in Flesh, or Whenever We're Opened, We're Red: A Personal Meditation on Cliv [...]
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The second volume of THINKING HORROR: A JOURNAL OF HORROR PHILOSOPHY focuses loosely on the horror boom of the second half of the Twentieth Century and contains the following: THNKHRRR Interview: Steve Rasnic Tem, "The Word in Flesh, or Whenever We're Opened, We're Red: A Personal Meditation on Clive Barker's Books of Blood" by Gemma Files, "An Endless Laceration: The Limit Experience in Horror" by Daniel Pietersen, "The Impossible Literature of Thomas Ligotti, Puppeteer and Eschatologist" by D. P. Watt, THNKHRRR Interview: Lisa Tuttle, "'Your Worst Fear': Monstrous Feminine(ism) and the Horror Boom of the 1970s" by Andrew P. Williams, "The Grotesque in Flannery O'Connor's 'A Good Man is Hard to Find' and 'Good Country People'" by Kristi DeMeester, THNKHRRR Interview: John Skipp, "A Faint Sense of Double Vision" Cinematic Tensions and Transmedial Anxieties in the Fiction of Files/Barringer, Wehunt, Tremblay, Link, and Ballingrud" by Christopher Burke, THNKHRRR Interview: Nick Mamatas, "His Knife, Her Shadow" by John Glover, "Nothing Will Have Happened: Speculation and Horror in the Anthropocene" by David Peak, "Collective Abjection: Social Horror in Stephen King's It" by Mike Thorn, "'Hello from the Sewers of NYC': T.E.D. Klein's 'Children of the Kingdom'" by Michael Cisco, Cover Art by Stephen Wilson