Music Behind Barbed Wire

The Austrian composer Hans Gal (1890-1987) was one of many Jewish refugees who fled to Britain from Hitler's Third Reich only to find themselves interned in prison camps in Britain as 'enemy aliens' - the result of Churchill's panic decision to 'collar the lot'. Gal thus spent five months over the s [...]
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The Austrian composer Hans Gal (1890-1987) was one of many Jewish refugees who fled to Britain from Hitler's Third Reich only to find themselves interned in prison camps in Britain as 'enemy aliens' - the result of Churchill's panic decision to 'collar the lot'. Gal thus spent five months over the summer of 1940 in internment camps - first in Donaldson's Hospital in Edinburgh, then at Huyton, near Liverpool, and finally in the Central Promenade Camp on the Isle of Man. Many of Gal's fellow internees went on, like Gal himself, to become shaping forces in the intellectual life of Britain - but in captivity this colourful parade of characters had to put up with bureaucratic inertia and the indifference of their captors to their undeserved fate. The diary Gal kept during his captivity vividly describes the difficulties the internees had to overcome to live as normal a life as possible. Gal's contribution, of course, was music, and the CD with this book presents first recordings of the Huyton Suite he wrote for two violins and flute (the only instruments available to him), the satirical review What a Life! composed on the Isle of Man and the piano suite he drew from it.Introductory chapters by Gal's daughter and by Richard Dove present a biographical survey of Gal's life and career and an examination of British internment policy; the Foreword is by the distinguished economist Sir Alan Peacock, who studied composition with Gal. Together they throw light on one of the more shameful British responses to the threat of Nazi invasion.