Five Orchestral Pieces and Pelleas Und Melisande in Full Score

Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century -- and this edition collects the first steps of the composer's revolution. "Pelleas und Melisande" (1902) reveals Schoenberg's expanding chromatic language while "Five Orchestr [...]
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Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century -- and this edition collects the first steps of the composer's revolution. "Pelleas und Melisande" (1902) reveals Schoenberg's expanding chromatic language while "Five Orchestral Pieces" renounces motivic connections as well as tonality.